The arrival of Martha Argerich in any musical community is greeted with a sense of disbelief often dispelled only the moment she walks onto stage—“yes, it is happening”—only to be replaced by another form of disbelief and incredulity when witnessing her musical powers. Joining her for this occasion is a pianist of equally staggering prowess, long known to Cleveland audiences, and with quickly-growing fame throughout the world: Sergei Babayan.
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